Scatter and Painterly Art brushes for Adobe Illustrator

A set of six abstract vector brushes for Adobe Illustrator by Celithralia. The pack contains three art and three scatter brushes...

You can get a variety of effects by experimenting with different stroke color, size an layer opacity.

To use the resource first, you need to expand the .zip file, load it in Illustrator and open the brushes palette (Window>Brushes). Download

Travel and Business Icons

A pack of 26 vector icons for Adobe Illustrator thanks to sizer92. Download

To open the archive you'll need WinRar or another archiver application that supports .rar files.

The Paint Brush Tool in Adobe Illustrator

The most popular category in Vector-Art.blogspot.com is Brushes. There you can find many free vector brush sets for Adobe Illustrator and some custom vector shapes for Photoshop. Probabably, there are some newbie visitors who are not familiar with the paint brush tool or how vector brushes work. The video tutorial below explains the usage of those features in Adobe Illustrator CS3. Тake a quick look at the brushes collection too, surely you'll come up with some interesting ideas.

BORIS CHALIAPIN

In a different country, in another era, Boris Chaliapin (1904-1979) would have been a "fine" artist and portrait painter, selling his paintings in art galleries. The son of Feodor Chaliapin, the great Russian opera singer, Boris was raised in a highly cultured environment. He received classical art training in Russia and Paris. He painted a series of portraits of his father and other luminaries from the world of classical music.



By the 1920s Chaliapin already had a considerable reputation as a portrait artist in Russia. But the market for classical painting was dwindling, and Chaliapin ended up exhibiting his work in the foyer of the London Covent Garden Theatre.





Like most born painters, Chaliapin learned to adapt to reality so that he could continue to create art. Making his way to the United States, he earned a living in New York City following the path of many 20th century artists with technical skill: he became an illustrator, painting more than 400 cover portraits for Time magazine.



Chaliapin is probably my favorite of all the Time Magazine cover illustrators, a sensitive and talented artist. I hope you enjoy his work.

Vector Snowflakes

A pack of six different snowflake vectors from jeni-cek. Inside the zip file you will find an Illustrator (.ai) file, a Photoshop Custom Shape file and a pdf. Download

Color Tricks

Great color tips for Photoshop and Illustrator from Digital Arts Magazine

"Do your colours fail to dazzle? Do your lines lack oomph? Sebastian Onufszak shows some nifty Photoshop and Illustrator tools for getting great results every time.
Creating an image this striking takes talent with a pen and paper, genius with illustration software – and a lot of planning. Here, Sebastian Onufszak guides you through how he created this poster-style picture, all the way from his first sketch to the finished composition." View full tutorial

Majestic

One of the new images in the Trespass Alliance show at Andipa.

Fade Away

by dozign

Figure Ground with Adobe Illustrator

Figure - Ground is one of the Gestalt Principles widely used in Graphic Design, especially in Logo Design. The perceptual factors of Gestalt are creating visual frames of references that provide the designer with psychological basis for the dimensional organization of the graphic elements he is working with. By using contrast between elements the "Figure-Ground" principle is fundamentelly allowing the viewer's eye to "read" imagery. Figures are the positive elements defined by spatial relatinships which exist among all of their parts. Ground stands for background, white space and negative space format that composes the visual image. See examples below.


In the past, graphic designers have had to put a lot of effort to precisely illustrate figure - ground concepts. Luckily we live in technologically advanced times and Adobe Illustrator is making the process way easier...

In this tutorial you will learn how to create a simple figure - ground vector. All you need to do is to overlap letterform elements and create the spatial relationship between them by using one of the shape modes in Adobe Illustrator.
For example, I will use the letterforms "V" and "A".

1) First, create a new file (print or web).
2) Select the type tool, choose a typeface, and black for color, then type the first Letterform.
3) With the same tool, type the second one (you can impovise by changing the font but I will stick with the same - Myriad Pro Bold 60 pt).



4) Using the selection tool select the second letterform (in our case "A").5) Move the "A" over the "V" in a way that parts of the letter forms overlap.



5) Open the pathfinder palette - Window>Pathfinder or Ctrl+Shift+F9 / Command+Shift+F9 (Mac).
6) Select both letterforms with the Selection Tool and then click on "Exclude Overlapping Shape Areas".



Before you finish, you can go back and experiment with different fornt. When you're satisfied click on the Expand button and save your work.
Imagery by PsuedoDragon

Pen Tool Skills : Bezier curves

Another great tutorial from ComputerArts Magazine, that may be a great warm up exercise for newbies still feeling unconfortable with the pent tool in Adobe Illustrator
"Used properly, the Bezier-curving Pen tool in Illustrator is extremely powerful and versatile. Ben the Illustrator shows you how to get the most out of it
From furniture to album sleeves, few would argue that the 1960s bore witness to some classic designs. It was also the decade when the Bézier curve came to prominence, as employed by the French mechanical engineer Pierre Bézier.The Pen tool’s use of Bézier curves makes it one of the most valuable features of Adobe Illustrator, and it can create beautifully flowing lines, perfectly realistic shapes and super-fresh graphics." Full tutorial and files

Vandalised cash machine

The original, a year and a half ago.

A new customer, today.

I don't often check back on the little people once I have placed them on the street. If i do, i usually find that they have long gone. The cash machine installation however was intact the last time I saw it, a few months after it was placed. I checked again recently, but the little man was gone. The cash machine was still there though, although it looks a bit vandalised now. I decided to put a new little person down and see how long she lasts...

I will be taking part in a new show at Andipa gallery in South Kensington, London, starting from 25th June. It is called 'Trespass Alliance: Inside Urban Art' and features 'A selction of paintings, sculptures and installations by influential urban artists' such as Swoon, Faile, D*Face, Nick Georgiou and, er... me. Guess everyone makes mistakes... I've got two new pieces in the show and an installation that is, quite literally, rubbish. I will be posting images from the show in the week and you can check out more info here.

Laurel Leaves

A set of laurel vectors for Adobe Illustrator. Simple solution if you feel stuck with ideas for a logo design project. With Laurel Leaves you can express: stability, glory, victory... add more in the comments below if you want. Download

LUNATICS AND BUREAUCRATS

In 1985, Rembrandt's "Danae"-- surely one of the most beautiful paintings in the history of the world-- was attacked by a man who slashed the painting with a knife, then doused it with sulfuric acid.



As the New York Times reported, the acid turned Rembrandt's lovely colors into a "dark, bubbling, foul-smelling mass that trickled down to the bottom of the the frame and from there onto the floor."

In 1972, an unemployed geologist attacked Michelangelo's Pieta with a hammer, crying, "I am Jesus Christ — risen from the dead!" He knocked off the Virgin's arm at the elbow, broke off a chunk of her nose, and chipped her face.



Then there was the man who walked into an Amsterdam museum and repeatedly slashed a masterpiece by the painter Barnett Newman. The man spent 5 months in jail for his crime, then returned to the same museum and slashed another painting by the same artist worth about $12 million.

And let's not forget the time in 1975, when a former mental patient claimed that he had been ordered by God to attack Rembrandt's magnificent "Night Watch."



He slashed and hacked the 14-by-11 foot painting more than a dozen times, tearing out a chunk of canvas over a foot long.

It is hard to explain such savage attacks on beautiful objects. If you have trouble putting yourself in the mind of someone who behaves that way, you should be very glad. The people who do such things lead hellish lives untouched by beauty or pity.

But before you get too comfortable on the "sane" side of the dividing line, consider this: in 1715, the town fathers of Amsterdam decided to install that very same painting, Rembrandt's Night Watch, in their Town Hall. They picked the perfect spot between two columns. Unfortunately the painting was too large so they cut off sections of the painting on all four sides, to make it fit. They removed two figures on the left side of the painting as well as the top of the arch, the balustrade, and the edge of the step. This was not the spontaneous outburst of a lunatic, this was a bunch of civil servants acting with the best intentions. There is no record that the town officials were ever confined to a mental institution. But again-- if you have trouble putting yourself in the mind of someone who behaves that way, you should be glad.

The Buddhas of Bamyan were two monumental statues of Buddha carved into the face of a cliff in Afghanistan nearly 2,000 years ago. The statues were immense-- almost 180 feet high.



In 2000, the Afghan government (at that time, led by Supreme Commander of the Taliban Mullah Mohammad Omar) ordered that these ancient treasures be destroyed to avoid idol worship. Again, this was no impetuous act. It was calmly discussed by a number of government officials who, in the end, systematically dynamited these masterpieces. Taliban Minister of Information and Culture Qudratullah Jamal issued bland progress reports to the press: "The work started about five hours ago but I do not know how much of [the Buddhas] has been destroyed." Is there a lunatic out there who can match the work of bureaucrats steadily going about their business?

Finally. we come to the case of the Lascaux cave, probably the single greatest treasure trove of paleolithic art on the face of the earth.



Lascaux contains about 600 paintings and 1,500 drawings that have survived for approximately 17,000 years. Since the cave was discovered in 1940, thousands of people from around the world have been awed by its beauty.



In 1999, the French bureaucrats who administer the cave decided to install a new air conditioning system. By most accounts, it was a disaster. They selected a local contractor with no experience with caves. The workers were left unsupervised and ignored the pleas of the curators, tracking pollen in and out of the cave, leaving the door open, and piling up construction waste on the site. As Archaeology Magazine reported:

It is hardly surprising that by 2000, as soon as the work was completed... biological pollution appeared. Within a month a fungus, fusarium solani, characterized by white filaments, was growing on the cave walls.... Powdered quicklime was scattered on the floor to sterilize the cave, but this raised the temperature, further destabilizing the interior climate.... The new installation involved removing the roof from the chamber at the cave entrance.... exposing the cave to the impact of outside temperature variations. Consequently, water runs down the cave walls (and paintings) at times, followed by periods of extreme dryness.

If the French officials had been willing to admit their mistake, perhaps more could have been done to protect the art. However, as conditions in the cave deteriorated, the squabbling bureaucrats covered up their problems, barring scientific experts and cultural observers from inspecting the problem. Time magazine reported with frustration, "Nobody claims authorship of the decision to install the new machine."


Spores growing on prehistoric painting

The deplorable conditions at Lascaux were brought to the attention of the world by a valiant and determined woman named Laurence Beasley, who founded the International Committee for the Preservation of Lascaux. She refused to be intimidated by the bureaucrats, and went all the way to UNESCO for help in rescuing the cave. As Archaeology Magazine reported,

In spite of the authorities' reluctance to admit their responsibility for today's crisis, and the way they have downplayed the seriousness of Lascaux's position, the ICPL has succeeded in exposing the cave's dire condition and alerting the public.... A spokesperson for the ministry of culture has repeatedly denied that there is damage to, or fungi on, the paintings, despite clear photographic and eyewitness evidence. At one point the ministry of culture claimed the fungi have "disappeared naturally," yet restorers were still working in the caves three days a week, manually removing the fungi by their roots-- extractions that have left dark marks and circles on the paintings. Clearly the public has not been told the truth.

I commend to you the important work of Laurence and her nonprofit organization. Visit her web site. Read about Lascaux and sign her petition. Make a contribution if you feel like it. (Full disclosure: as a lawyer, I do pro bono work for the ICPL because I believe in their cause but as always, I am solely responsible for the opinions on this blog.)

Gentle and beautiful objects have many natural enemies in this world. I don't know whether the greater threat to art comes from lunatics with knives and acid, or from cold bureaucrats and civil servants protecting their turf and hiding their incompetence.

Intro to Blends in Adobe Illustrator

Usually digital illustrators use blends to achieve gradient effects in their artwork (Select objects then Object>Blend>Make). Please don't confuse blends with gradients, they are two different things. Think of blends as gradations between multiple vector objects. In Adobe Illustrator the blends are actually live transitions between objects that will automatically update when you distort or change the position of one of the blended objects. The automatical number of those transition steps is based upon the difference in shape and color between the the original objects. (see the examples below)To access the steps as individual objects the blend has be expanded (Object>Expand), but after it will no longer be live. A manual way to control number of transition steps is if you access the the blend options dialogue box (Object>Blend>Blend Options>Spacing>Specific Steps).

difference in shape

difference in color

Florescence Brushes for Adobe Illustrator

Fresh stuff from cherryflip. A set of 38 Vector Flower Brushes for Adobe Illustrator. Download. By the way, if you come up with a concept using resources you found here , feel free to post links in the comments.

JIMMY SWINNERTON AT THE DAWN OF COMIC STRIPS

In the earliest days of comic strips, all kinds of strange personalities gravitated to the new field. Perhaps none was stranger than Jimmy Swinnerton (1875-1974).



Swinnerton ran away from home at age 14, traveling with a minstrel show as far as San Francisco. There he found work drawing borders around photographs for a local newspaper. Swinnerton's greatest talent seemed to be entertaining employees with impersonations of the newspaper's owner, William Randolph Hearst. One day, Hearst caught Swinnerton and was so amused that he took Swinnerton under his wing. The two became life long friends.

Swinnerton's supervisor scolded him not to get "too original" with his rectangles, but Hearst recognized that there was a better use for Swinnerton's talents. With Hearst's patient sponsorship, Swinnerton tried one project after another. By age 20, Swinnerton had developed into a successful newspaper staff artist: a lying, womanizing, gambling drunk who dressed in flashy clothes and hung around with prize fighters.



Swinnerton was the perfect petrie dish for the invention of the modern comic strip. He experimented with several, including Sam and his Laugh, Professor Nix, Little Katy and her Uncle, Mount Ararat, Mr. Batch, Mr. Jack, Little Jimmy, Canyon Kiddies, The Daydreams of Danny Dawes, and Rocky Mason, Government Marshall. Many of these experiments quickly died, but some of them caught on.



By age 27, Swinnerton was living a life of dissolution in New York. An alcoholic with tuberculosis, Swinnerton had suffered several hemorrhages and doctors gave him barely a month to live. He returned to California under close medical care. There he purchased his tombstone with the epitaph "blue pencilled." Next he walked into a bar where he found a drunken man weeping loudly. Swinnerton paid the man to follow him around, weeping over Swinnerton's imminent death. Everything was in place for Swinnerton's funeral, but then he switched to a diet of raw eggs and miraculously recovered. He lived another 72 years, and for the rest of his life always tipped his hat when he saw a chicken, out of gratitude.

It is unclear exactly when Swinnerton married the first of his many wives. He was caught in a scandal with a wealthy San Francisco heiress. The couple claimed that they had been secretly married someplace else but skeptical newspapers noted there was "no record of a marriage license." The heiress soon abandoned Swinnerton for Japan, while he quelled his sorrow in three other official marriages, along with semi-marriages and quasi-marriages in different locations. The combined alimony from his disorderly love life kept him on the brink of poverty. For much of his life, Swinnerton shuttled between lavish parties at Hearst's mansion, San Simeon, and dodging bill collectors.



As the comic strip industry grew up around Swinnerton, he found kindred spirits. The young Walt Disney used to come to his birthday parties. Swinnerton took George Herriman (creator of Krazy Kat), Rudolph Dirks (creator of the Katzenjammer Kids), and the painter Maynard Dixon on a safari through the Arizona desert to see the Hopi Tribe of Indians do their annual snake dance. Can you imagine the conversation around that campfire at night? The group traveled by horseback through the Grand Canyon and Monument Valley (which later played a significant role in Krazy Kat.) It was on this trip that Swinnerton gave Dixon a half interest in the Arizona desert.



With the passage of time, the roads of comic land became paved. Syndicates became well oiled machines with standard printed contracts. Colleges taught classes in how to write graphic novels and The Joe Kubert School of Cartoon and Graphic Art trained the comic strip artists of the future. But at the formative stages of comic strips, it was oddballs such as Swinnerton-- colorful people who had a hard time fitting into conventional jobs-- who started the medium rolling.

40 Hours of Vector Drawing

Science Machine from Chad Pugh on Vimeo.

Animating Vector Characters

Alexis West shows how to bring your vector characters to life in Flash, turning an Illustrator image into a cool interactive animation.Being able to dream up and create a cool character or picture is one thing, but Adobe Flash lets you take your work to a whole new level.

Creating animations is a simple, if rather time-consuming, process – and you can even make your image interactive by adding buttons and other elements. As Alexis West shows in this tutorial, with Flash and a bit of creative thinking, the possibilities really are endless. View Full Tutorial

Digital Arts Online

Vector Halftone Patterns

A collection of 52 seamless halftone patterns for Adobe Illustrator by faeriedreamer. 

To use, load the PDF file in Adobe Illustrator by selecting File>Open>Browse (not by dragging it in the program). For preview click on the image below.

 

Download

Interlining

...there is enough machine within our eyes
to fill a thousand junkyards full
to make the stone break into plastic clouds
of colored dust
and happy play

...there are enough straight lines that bound a shape
to make us speak right to the point
to get us thinking we are right or wrong
beneath the clouds

See more of Jan Vormann's Dispatchwork here.

Adobe Illustrator Keyboard Shortcuts : Layers

Another list of keyboard shortcuts for advanced Adobe Illustrator users.
1) Open/close Layers panel - F7

2) New Layer at the top of the list - Ctrl+L or Cmd+L (Mac)
3) New Layer and open layer options panel - Alt+Ctrl+L or Option+Cmd+L (Mac)
4) New Layer below selected layer - Alt+Ctrl+Click (Option+Cmd+Click) on the new layer button in the layer panel
5) View layer in outline viewing mode - Alt+Click (Option+Click) in View Column
6) View ALL layers in outline mode - Alt+Ctrl+Click (Option+Command+Click) in View Column

Free Vector Girls Stock

A free vector stock from abstrasctik. The pack contains an Adobe Illustrator file with illustrations of the girls you see below plus its psd version. Download

ARTISTS IN LOVE, part 14

The poet Dante famously fell in love with Beatrice the first time he saw her, at age ten. He later wrote:

At that very moment, and I speak the truth, the vital spirit, the one that dwells in the most secret chamber of the heart... spoke these words: Ecce deus fortior me, qui veniens dominabitur mihi. ("Behold, a deity stronger than I; who coming, shall rule over me.")

Dante only met Beatrice once more before she died at a young age, yet he devoted most of his life to writing poetry in her honor. She was his inspiration for La Vita Nuova and he gave her a starring role in his epic masterpiece, the Divine Comedy, as the person who guides him to Paradise.


Dante and Beatrice at the gates of Paradise, by Dore

The artist Henry Darger (1892-1973) led an agonized childhood. Born in poverty and orphaned at an early age, he was sent away at age 12 to the Asylum for Feeble Minded Children in Lincoln Illinois, a brutal place where children were abused and mistreated. At age 16, he escaped to Chicago where he found work as a janitor and lived a reclusive life, writing and drawing alone in his shabby apartment at night. In 1911, Darger became transfixed by a photograph in the Chicago Daily News of a young missing girl, Elsie Paroubek.



He kept this picture among his treasured possessions. He painted Elsie's portrait and built a small shrine for her in a nearby barn. After a month long search, police discovered the murdered girl's body in a drainage canal.



Devastated, Darger developed a story based upon Paroubek. He made her the leader of a child rebellion against evil adults who practiced child slavery. In his story, the adults (called "Glandelinians") murdered the young girl, but her martyrdom led to an epic war between the forces of good (children) and evil (adults).



Darger's story grew into a 5,145-page masterpiece which consumed most of the rest of his life. He called his chronicle The Story of the Vivian Girls, in What is known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion. The Vivian girls were sisters who led the war against the Glandelinians, a struggle which grew to involve armies of naked young girls, typhoons that wiped out nations, a winged monster called "a Handsome Dude," and the massacre of thousands of cities of innocents. I find Darger's illustrations extraordinarily beautiful:













Despite all the horrors detailed in his lengthy war, Darger insisted that the "assassination of [Elsie's character] was the most shocking child murder ever caused by the Glandelinian Government."

He became so obssessed with Elsie's photograph that he risked eternal damnation by confronting God over it. Darger lost his precious photo and became convinced that God had taken it to test him. When Darger could not find it anywhere, he began to threaten God that the Glandelinians would win the war unless the photo was returned. "In case of no return by March 1916, the Glandelinians will not be forced into submission but shall progress better than before..." Darger kept extending God's deadline but after many years, when God failed to comply, a livid Darger made his counterpart in the story, a Captain Henry Darger, defect to the side of the Glandelinians.

How could an artist such as Dante or Darger draw a lifetime of inspiration from such a brief glimpse of a girl? I've always liked this famous scene from Citizen Kane, where an elderly man describes how in his youth he caught a glimpse of a girl in a white dress and thought about her for the rest of his life:



You never know when they will happen, those little moments that can be mined forever. Often they seem to depend upon just the right errant breeze passing through the hair of just the right person. But if a single glimpse can sustain a lifetime of artistic devotion, it tells you something about the untapped potential for all those other moments that fly by unheeded.

.